I am sitting here today reviewing some gorgeous black and white winter landscape photographs of North Dakota while also preparing for the chance of freezing rain and ice that threatens to isolate us on our farm from the outside world.
The American Plains seem to crave, much like its inhabitants, solitude as much as it craves companionship. As inhabitants of the Plains we want and need both. Winter in the Northern Plains can bring these two, solitude and companionship, into their fiercest conflict in each of us.
Chuck Kimmerle's winter landscape photographs of North Dakota and Minnesota defy the notion that the plains are a barren, non-photogenic landscape. His photographs successfully capture the clean lines, clean backgrounds, and minimalist scenes of the Northern Plains while still showing us the brutal weather and solitary nature that exists around these pockets of beauty.
Chuck as been published by several fine art publications such as Lenswork and Black and White magazine. He has also be exhibited in several shows. In addition to this he has a number of scheduled exhibition for 2011 already.
1/17/11
1/16/11
Photofest, Lincoln, NE
Sheldon Museum of Art is again hosting the city wide Photofest in Lincoln, NE. Additional information of galleries and exhibitions involved will be posted as they become available. Below is from Sheldon's website.
Transforming Vision: Photographic Abstraction in Sheldon’s Collection opens February 4, 2011 and is part of Photofest, Lincoln’s biennial, citywide celebration of the medium, now in its second year. Instead of exploring the camera’s capacity to capture reality, Transforming Vision emphasizes its ability to alter our view of reality. Featuring approximately forty works from the Sheldon Museum of Art’s permanent collection by major artists such as Harry Callahan, Barbara Crane, Arthur Siegel, Henry Holmes Smith, and Edward Weston, the exhibition examines photography’s status as perceptual archetype through its reputation as a reproductive or straightforward medium, questioning the validity of photographic objectivity itself.
Rather than showcasing recent developments in darkroom manipulation or digital technology, the majority of works featured in the exhibition are considered documentary images, many of them created in the mid-twentieth century at Chicago’s legendary Institute of Design, a hotbed of photographic innovation. While each photographer uses the visible world as a starting point, their images possess no easy visual resolution; subjects are dissolved, fragmented, or reduced to achieve particular expressive purposes. In some cases, artists have employed a variety of creative interventions—from experimental materials to imaginative angles to unusual juxtapositions of forms and textures—and thus transformed commonplace, everyday subjects into highly personal visions that divorced photography from its literal associations and instead explored its cosmic, philosophical, transcendent, and, ultimately, its abstract potential.
Transforming Vision: Photographic Abstraction in Sheldon’s Collection opens February 4, 2011 and is part of Photofest, Lincoln’s biennial, citywide celebration of the medium, now in its second year. Instead of exploring the camera’s capacity to capture reality, Transforming Vision emphasizes its ability to alter our view of reality. Featuring approximately forty works from the Sheldon Museum of Art’s permanent collection by major artists such as Harry Callahan, Barbara Crane, Arthur Siegel, Henry Holmes Smith, and Edward Weston, the exhibition examines photography’s status as perceptual archetype through its reputation as a reproductive or straightforward medium, questioning the validity of photographic objectivity itself.
Rather than showcasing recent developments in darkroom manipulation or digital technology, the majority of works featured in the exhibition are considered documentary images, many of them created in the mid-twentieth century at Chicago’s legendary Institute of Design, a hotbed of photographic innovation. While each photographer uses the visible world as a starting point, their images possess no easy visual resolution; subjects are dissolved, fragmented, or reduced to achieve particular expressive purposes. In some cases, artists have employed a variety of creative interventions—from experimental materials to imaginative angles to unusual juxtapositions of forms and textures—and thus transformed commonplace, everyday subjects into highly personal visions that divorced photography from its literal associations and instead explored its cosmic, philosophical, transcendent, and, ultimately, its abstract potential.
1/15/11
Nebraska Photography Symposium
Hastings, Nebraska is hosting it's second annual Photography Symposium February 25& 26, 2011.
Guest speakers this year include Thom Hogan and Bill Frakes.
Photography in the America Plains.
This blog is about photography of the American Plains. This includes the Plains as a subject for photographs as well as photographers from the Plains. It will be a resource for links to photographers, exhibitions, events, museums, and more.
Many photographers have themselves been from the Plains, from Solomon Butcher to Wright Morris to Edward Curtis. In recent years, major American photographers such as Joe Deal, Mitch Dobrowner, and Robb Kendrick have developed significant portfolios photographing in the American Plains.
The Plains region has alway been a distinct place in American culture, an America "in between". In between, geographically and ideologically, the American West, American South, and the very different American Midwest.
Many photographers have themselves been from the Plains, from Solomon Butcher to Wright Morris to Edward Curtis. In recent years, major American photographers such as Joe Deal, Mitch Dobrowner, and Robb Kendrick have developed significant portfolios photographing in the American Plains.
The Plains region has alway been a distinct place in American culture, an America "in between". In between, geographically and ideologically, the American West, American South, and the very different American Midwest.
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